{"id":113,"date":"2019-06-13T14:17:35","date_gmt":"2019-06-13T14:17:35","guid":{"rendered":"http:\/\/naomisiderfin.com\/?page_id=113"},"modified":"2019-06-15T08:58:08","modified_gmt":"2019-06-15T08:58:08","slug":"cv","status":"publish","type":"page","link":"https:\/\/naomisiderfin.com\/?page_id=113","title":{"rendered":"CV"},"content":{"rendered":"

Education<\/strong><\/p>\n

from 2013\u00a0\u00a0 PhD candidate, Slade School of Fine Art,\u00a0 University College London<\/p>\n

1987-90\u00a0\u00a0\u00a0\u00a0 Royal Academy Postgraduate Diploma, Royal Academy Schools London<\/p>\n

1981-85 \u00a0 \u00a0 \u00a0 BA Fine Art (1st<\/sup> class hons) University of Newcastle Upon Tyne<\/p>\n

Professional Practice<\/strong><\/p>\n

1994 – present: co-founder and Director of Beaconsfield, London: a streamlined resource for the development and presentation of contemporary art www.beaconsfield.ltd.uk<\/a><\/p>\n

1993\u2013present: Visiting Lecturer in Fine Art for institutions including Royal College of Art, University of the Arts London, University of Reading, Middlesex University London, University of Kent, Goldsmiths College London, University of Essex, University of Hull, University of Newcastle upon Tyne, Manchester Metropolitan University, University of East London, University of Trent Nottingham, Dartington College of Art, Exeter School of Art & Design, University of Ulster, Winchester School of Art.<\/p>\n

2015-19:\u00a0 Postgraduate Teaching Assistant for BFA Slade School of Fine Art, UCL<\/p>\n

1991-1994: co-founder and curator of Nosepaint, London: interdisciplinary art events and site specific art projects<\/p>\n

Residencies<\/strong><\/p>\n

2018\u00a0\u00a0\u00a0\u00a0\u00a0 UCL Art Museum, London<\/p>\n

2017\u00a0\u00a0\u00a0\u00a0\u00a0 Slade Summer School, London<\/p>\n

2015 \u00a0\u00a0\u00a0 the guesthouse, Cork<\/p>\n

2000\u00a0\u00a0\u00a0\u00a0 Tullipamwe Artists\u2019 Workshop, Triangle Trust, Namibia<\/p>\n

1998\u00a0\u00a0\u00a0\u00a0 Dartington College of Art, Totnes<\/p>\n

Exhibitions (selected)
\n<\/strong><\/p>\n

BAW is the art moniker for Naomi Siderfin and David Crawforth working in collaboration as Beaconsfield Art Works.<\/p>\n

2019<\/p>\n

Salon for a Speculative Future<\/em>, Chisenhale Studios, London<\/p>\n

2018<\/p>\n

Landscapes of the Future <\/em>(BAW), Helsinki Contemporary, Finland<\/p>\n

Dwelling in Things<\/em>, Redress, UCL Art Museum, London<\/p>\n

Smoking Mirror_Med.15<\/em>, Here Today Gone Tomorrow, The Cello Factory, London<\/p>\n

2017<\/p>\n

Famine Pass_electromagnetic<\/em> (BAW and Bruce Gilbert), Diagonal Diagram of Dispersed Documents, ArtLacuna, London<\/p>\n

Woman drowning in grey paint or is she waving? <\/em>Slade Summer School, London<\/p>\n

Smoking Mirror_Med.15<\/em>, The Intercontinental, Roaming ROOM, London<\/p>\n

2016<\/p>\n

Famine Pass_live<\/em> (Bruce Gilbert & BAW), The Multiverse, Wysing Festival, Cambridge<\/p>\n

2015<\/p>\n

Beara 2014<\/em>, Protolinguistics, the guesthouse, Cork, IRL<\/p>\n

2013<\/p>\n

Diluvial\u00a0iii<\/em> (Bruce Gilbert & BAW), AGORA 4th<\/sup> Athens Biennale, GRC<\/p>\n

2012<\/p>\n

Invisible Stitches Enquiry 1: Arting and Curating<\/em>, 6 Chairs, Art House Foundation, London<\/p>\n

2011<\/p>\n

Diluvial i<\/em> (Bruce Gilbert and BAW), Faster than Sound, Aldeburgh Music\/Big Shed, Suffolk<\/p>\n

2010<\/p>\n

Saleh Days<\/em> (BAW), Proposals for a Socialist Colony, Skydive, Houston, USA<\/p>\n

God Machine<\/em> (BAW), Chronic Epoch, Beaconfield 10th anniversary, London<\/p>\n

2008<\/p>\n

White Hole<\/em> (BAW) and Terminal Services<\/em> (Naomi Siderfin and Katherine Araniello), Late at Tate, Tate Britain, London<\/p>\n

2007<\/p>\n

Undergrowth<\/em> (BAW), Volume IV: Forest, Temple Bar Gallery, Dublin, IRL<\/p>\n

2006<\/p>\n

Apology<\/em>, Peace Camp, The Brick Lane Gallery, London<\/p>\n

2004<\/p>\n

Suffer Little Children<\/em>, Moral Plinth, Beaconsfield, London<\/p>\n

2001<\/p>\n

Element<\/em> (BAW), Sacred Site, Alta Museum, Alta, NOR<\/p>\n

Earthshaker <\/em>(BAW), UKS Biennial, Oslo, NOR<\/p>\n

The Nosepaint-Beaconsfield Archive 1991-2000, <\/em>Century City, Tate Modern, London<\/p>\n

2000<\/p>\n

Monochrome II<\/em>, Realm of the Senses, Turku Museum, FIN<\/p>\n

Tullipamwe 2000, National Art Gallery of Namibia, Windhoek, NAM<\/p>\n

Colonial Post 19\/8\/00<\/em>, Tullipamwe 2000, Triangle Trust workshop, NAM<\/p>\n

Earthshaker<\/em> (BAW), Speculum 2000, Stavanger, NO<\/p>\n

RAF<\/em> (BAW), Small Pleasures, Hamburger Bahnhof Museum fur Gegenwart, Berlin, DEU<\/p>\n

Clouding the Issue<\/em> (BAW), Passion, Gasworks, London<\/p>\n

Awards<\/strong><\/p>\n

2018 UCL Art Museum\/Slade commission<\/p>\n

2015 Jean Spencer \/Malcolm Hughes Travel Bursary, Slade School of Fine Art<\/p>\n

2002-2015 Arts Council England various awards (Beaconsfield)<\/p>\n

1994-2002 London Arts Board various awards<\/p>\n

1994 BT Innovation Award (for Nosepaint)<\/p>\n

1993 BT Innovation Award (for Woodwork)<\/p>\n

1990 De Segonzac Travel Award, RA Schools, London<\/p>\n

1989 Fred Elwell Prize for Still Life, RA Schools, London<\/p>\n

1987 Jack Goldhill Scholarship, RA Schools, London<\/p>\n

1985 Travel scholarship, University of Newcastle upon Tyne<\/p>\n","protected":false},"excerpt":{"rendered":"

Education from 2013\u00a0\u00a0 PhD candidate, Slade School of Fine Art,\u00a0 University College London 1987-90\u00a0\u00a0\u00a0\u00a0 Royal Academy Postgraduate Diploma, Royal Academy Schools London 1981-85 \u00a0 \u00a0 \u00a0 BA Fine Art (1st class hons) University of Newcastle Upon Tyne Professional Practice 1994 – present: co-founder and Director of Beaconsfield, London: a streamlined resource for the development and … <\/p>\n

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