{"id":1,"date":"2019-03-05T23:27:38","date_gmt":"2019-03-05T23:27:38","guid":{"rendered":"http:\/\/naomisiderfin.com\/?p=1"},"modified":"2019-06-15T09:21:55","modified_gmt":"2019-06-15T09:21:55","slug":"hello-world","status":"publish","type":"post","link":"https:\/\/naomisiderfin.com\/?p=1","title":{"rendered":"Published Texts"},"content":{"rendered":"\r\n<p><strong><em>Beaconsfield Chronic Epoch<\/em><\/strong> (2016) edited Margaret Garlake. London: Black Dog Publishing.<\/p>\r\n<p><strong><em>Am I making up what really happened<\/em>?<\/strong> <em>Svein Flygari Johansen <\/em>(2011), <a href=\"https:\/\/issuu.com\/nabroad\/docs\/maag6\">https:\/\/issuu.com\/nabroad\/docs\/maag6<\/a><\/p>\r\n<p><em><strong>Centre to Periphery and back\u2026 <\/strong><\/em>(2010). http:\/\/www.metamute.org\/community\/your-posts\/centre-to-periphery-and-back<\/p>\r\n<p><strong><em>Carry on Curating<\/em><\/strong> in <em>This Will Not Happen Without You&#8230;<\/em> (2007), ed. Richard Grayson and Pauline van Mourik Broekman. Newcastle upon Tyne: Locus+<\/p>\r\n<p><strong><em>Shane Cullen The Agreement<\/em><\/strong> (2004). Kilkenny: Kilkenny Arts Festival<\/p>\r\n<p><strong>Email conversation with N.S. Harsha and Naomi Siderfin<\/strong> in <em>Drawing Space Contemporary Indian Drawing<\/em> (2000) ed. Sarah Campbell and Grant Watson, London: inINVA.<\/p>\r\n<p><em><strong>Sunday Morning: Tor Mangus Lundeby<\/strong><\/em> (1999). Oslo: Gallerie Dobloug<\/p>\r\n<p><strong><em>Glean<\/em><\/strong><em>: Anna Best, Robert Beard, Keith Coventry, Tamsin Pender<\/em> (1998) London: Beaconsfield.<\/p>\r\n<p><em><strong>Occupational Hazard<\/strong> in Occupational Hazard &#8211; Critical Perspectives on Recent British Art<\/em> (1997) ed. Duncan McCorquodale, Naomi Siderfin and Julian Stallabrass. London: Black Dog Publishing.<\/p>\r\n<p><em><strong>Cottage Industry<\/strong>: Sonia Boyce, Kate Bush, Mikey Cuddihy, Siobhan Davies, Elsie Mitchell, Clare Palmier, Naomi Siderfin<\/em> (1995), ed. Julian Stallabrass. London: Beaconsfield<\/p>\r\n<p><strong><em>young British artists don&#8217;t speak French <\/em><\/strong>(1997). London: Make.<\/p>\r\n<p><strong><em>The Nosepaint\u2013Beaconsfield Papertrail 1991-2000<\/em><\/strong> (2000) ed.David Crawforth and Naomi Siderfin. London: Tate\/Beaconsfield<\/p>\r\n<p><strong><em>Afterword <\/em><\/strong>in <em>Ground Control \u2013 Technology and Utopia<\/em> (1997), ed. Lolita Jablonskienne, Duncan McCorquodale and Julian Stallabrass. London: Black Dog Publishing.<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Beaconsfield Chronic Epoch (2016) edited Margaret Garlake. London: Black Dog Publishing. Am I making up what really happened? Svein Flygari Johansen (2011), https:\/\/issuu.com\/nabroad\/docs\/maag6 Centre to Periphery and back\u2026 (2010). http:\/\/www.metamute.org\/community\/your-posts\/centre-to-periphery-and-back Carry on Curating in This Will Not Happen Without You&#8230; (2007), ed. Richard Grayson and Pauline van Mourik Broekman. Newcastle upon Tyne: Locus+ Shane Cullen &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/naomisiderfin.com\/?p=1\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Published Texts&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1","post","type-post","status-publish","format-gallery","hentry","category-uncategorized","post_format-post-format-gallery"],"acf":[],"_links":{"self":[{"href":"https:\/\/naomisiderfin.com\/index.php?rest_route=\/wp\/v2\/posts\/1","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/naomisiderfin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/naomisiderfin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/naomisiderfin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/naomisiderfin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1"}],"version-history":[{"count":10,"href":"https:\/\/naomisiderfin.com\/index.php?rest_route=\/wp\/v2\/posts\/1\/revisions"}],"predecessor-version":[{"id":141,"href":"https:\/\/naomisiderfin.com\/index.php?rest_route=\/wp\/v2\/posts\/1\/revisions\/141"}],"wp:attachment":[{"href":"https:\/\/naomisiderfin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/naomisiderfin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/naomisiderfin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}